new The gigaprojects then, along with the arts and heritage programmes, are part of a process that brings cultural change, while enforcing the political status quo. They are also happening because Prince Mohammed likes them. If The Line looks like a pharaonic ego trip, Dr Azzam also reports the prince’s interest in the AlUla masterplan, and in such subtler things as the palette of pigments made in the Madrasat Addeera out of multicoloured local rocks. Like many works dictated from above these projects have an erratic relationship to reality and consistency: while The Line verges on the unhinged, it’s also questionable whether five major works of land art plus several museums are best located in AlUla, whose small population and remote location will struggle to handle large visitor numbers. The profligate construction of the gigaprojects, and in some cases the dependency on planes and cars to get to places, will – despite Vision 2030’s claims of sustainability – have a huge and destructive environmental impact., 15h ago